Overview
‘Misselthwaite’ is inspired by the eerie mystery and strength of nature taking over and of course the locked up secret garden of the neglected Misselthwaite Manor in Frances Hodgson-Burnett’s classic story The Secret Garden.
I have strayed away from traditional printing methods this time to keep the shades and tones, smudges and mistakes of the original pencil and charcoal sketch in this digitally printed wallpaper showing the character of the initial drawing but recoloured in duck egg blue and natural greens.
Our new Eco non-woven wallpapers and non-woven substrates are all sourced from sustainably managed forests and are printed at one of the few remaining, traditional, wallpaper printers in England, using non-toxic water-based inks. The Eco non-woven wallpapers are made of 79% renewable raw materials and produce 30% less greenhouse gasses during manufacturing than standard non-woven papers.
Measurements
• Each roll is 20.5" wide x 11yds long
• Vertical repeat is 16.5", straight match
Additional Notes
• 2-4 week lead time
• Made in the UK
• Material: ECO Non-woven ‘paste the wall’ wallpaper
Color Description
Green illustration on soft white background
Additional Info
Abigail’s first wallpaper collection launched in 2011, the hand-drawn designs, inspired by nature and fairy tales.
All Abigail Edwards’ products are made in the UK where possible and are environmentally responsible. The wallpapers and non-woven substrates are all sourced from sustainably managed forests and are printed at one of the few remaining, traditional, wallpaper printers in England, using non toxic water based inks.
The collection has recently expanded to include fabric by the meter and accessories as well as the award-wining wallpapers that have featured in numerous magazines and grace the walls of homes and commercial spaces around the world.
Abigail began her career studying fine art at Wimbledon School of Art in London and the École des Beaux-Arts in Paris. After a brief stint assisting in galleries in New York, a passion for interiors took over and she returned to London to style shoots and write about interiors for a diverse range of editorial and commercial clients; such as Ikea, The White Company, Marks & Spencer, The Sunday Times, The Guardian, You Magazine, House & Garden and Country Living amongst many others. She was also Deputy Decorating Editor at Country Homes & Interiors magazine for several years.
